Friday, May 18th • Bar opens 8PM, Green Room 9PM, Club 10PM.
Advance Tickets on Sale 3/27 at 12PM.
Danny Tenaglia DJ ( NY )
Danny Tenaglia (born March 7, 1961) is a New York-based DJ and Grammy nominated record producer. Explosive success for him came not behind a major label release, or a world tour, or a radio hit remix: It happened when enough people had the private Tenaglia experience for themselves.
The momentum started building in early ’70s New York, when a barely 10-year-old Danny first got the feel of vinyl in his hands. Enthralled by the music of artists like Philly Soul’s The Trammps, Motown’s Marvin Gaye, African trumpeter Hugh Masekela, and disco producer Giorgio Moroder, he started to collect records, plumbing the depths of each one, and frequently finding that he preferred the B-side to the A. It was 1979 when he discovered legendary nightclub Paradise Garage, where DJ Larry Levan’s rich, genre-less blend of music seemed to mirror his own “no boundaries” policy. It was here where Danny found the club model he would one day emulate: Levan’s bold style, the venue’s plain dÃ©cor, and the party’s warmth and inclusiveness.
Danny left New York in 1985 and launched a successful DJ-ing career in Miami as a resident at Cheers nightclub. There he schooled the locals in classic New York and Chicago house, but five years later he returned home, tired of only playing other people’s music. He started to assemble an impressive roster of remixes, including Right Said Fred’s “I’m Too Sexy” (1991), Jamiroquai’s “Emergency on Planet Earth” (1993), and Madonna’s “Human Nature” (1994). But his first epic was The Daou’s “Surrender Yourself” (1993): With the kick in the bass and the underlying rhythm as the foundation, Tenaglia blanketed Vanessa Daou’s wispy vocal with grand, thick chords, a combination of classic groove and modern club-ready depth that was, at the time, entirely new. The title of his 1995 debut artist album on New York’s Tribal Records described it perfectly: Hard & Soul. But even if the cocktail was his own, Tenaglia never hesitated to declare how heavily his influences weighed in his productions – everyone from Patti LaBelle to Kraftwerk, with countless lesser-known Soul, R&B, Latin, Samba, and Disco artists in between.
In the two years that followed, Tenaglia released another Global Underground installment titled London; toured the world, took the party island of Ibiza by storm, remixed Billy Nichols’ “Give Your Body Up To The Music” (a Garage anthem); got nominated for a Grammy (for his remix of Depeche Mode’s “I Feel Loved,” also nominated for Best Dance Song); returned to Twilo for two special gigs – a President’s Day marathon with Carl Cox that shattered all its attendance records, and the club’s sixth anniversary party with John Digweed, which turned out to be even more meaningful than it seemed at the time (Twilo was shut down permanently a week later); graced the cover of every major dance music magazine; and won a Dancestar Lifetime Achievement award… all while keeping the “Be Yourself” party buzzing every Friday.
“Be Yourself” took the same honor again in 2004, but this time the win was bittersweet. At the time of the ceremony, Vinyl, now called Arc, had already been sold to condo developers. Danny closed the classic club on Sunday, April 25, 2004, with an emotional set that lasted well into Monday afternoon, and culminated with his mix of Kings Of Tomorrow’s paean to unending love, “Finally.”
Since then Danny has remained prolific in the clubs and has graced the decks in all the big rooms in NYC including Avalon, Crobar, Pacha NYC, Roxy and Webster Hall. After a long studio silence, Danny re-emerged in 2008 with a single on Tommy Boy Records, “The Space Dance”. It was named in honor of his first weekly residency during the summer season of 2008 at renowned global clubbing institution Space Ibiza. The track reached #1 on the Billboard Club Charts during November 2008.
After over 30 years of DJing Danny still continues to tour around the world. His commitment to playing new music and incorporating it with music from his past is still a very big part of his performances. After his success he has remained humble and towards the end of his sets can often be seen on the dance floor, mingling and dancing with the same people who came to see him perform.