The Spinners @ Bethesda Blues & Jazz Supper Club, Bethesda [15 February]

The Spinners


964
15
February
20:00 - 22:00

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Bethesda Blues & Jazz Supper Club
7719 Wisconsin Ave, Bethesda, Maryland 20814
The Spinners were the greatest soul group of the early '70s, creating a body of work that defined the lush, seductive sound of Philly soul. Ironically, the band's roots lay in Detroit, where they formed as a doo wop group during the late '50s. Throughout the '60s, the Spinners tried to land a hit by adapting to the shifting fashions of R&B and pop. By the mid-'60s, they had signed with Motown Records, but the label never gave the group much consideration. «It's a Shame» became a hit in 1970, but the label continued to ignore the group, and dropped the band two years later. Unsigned and featuring new lead singer Phillipe Wynne, the Spinners seemed destined to never break into the big leagues, but they managed to sign with Atlantic Records, where they began working with producer Thom Bell. With his assistance, the Spinners developed a distinctive sound, one that relied on Wynne's breathtaking falsetto and the group's intricate vocal harmonies. Bell provided the group with an appropriately detailed production, creating a detailed web of horns, strings, backing vocals, and lightly funky rhythms. Between 1972 and 1977, the Spinners and Bell recorded a number of soul classics, including «I'll Be Around,» «Could It Be I'm Falling in Love,» «Mighty Love,» «Ghetto Child,» «Then Came You,» «Games People Play,» and «The Rubberband Man.» Wynne left in 1977 and the Spinners had hits for a few years after his departure, but the group will always be remembered for its classic mid-'70s work.

At Atlantic Records, the Spinners worked with producer Thom Bell, who gave the group a lush, seductive sound, complete with sighing strings, a tight rhythm section, sultry horns, and a slight funk underpinning. Wynne quickly emerged as a first-rate soul singer, and the combination of the group's harmonies, Wynne's soaring leads, and Bell's meticulous production made the Spinners the most popular soul group of the '70s. Once the group signed with Atlantic, they became a veritable hit machine, topping the R&B and pop charts with songs like «I'll Be Around,» «Could It Be I'm Falling in Love,» «One of a Kind (Love Affair),» «Ghetto Child,» «Rubberband Man,» and «You're Throwing a Good Love Away.» Not only were their singles hits, but their albums constantly went gold and charted in the Top 20.

At Their Best, Wynne left the band to pursue a solo career in 1977; he was replaced by John Edwards. Though none of Wynne's solo records were big hits, his tours with Parliament-Funkadelic were well received, as were his solo concerts. In October 1984, he died of a heart attack during a concert in Oakland, California. The Spinners, meanwhile, had a number of minor hits in the late '70s, highlighted by their disco covers of «Working My Way Back to You» and the medley «Cupid/I've Loved You for a Long Time.» During the early '80s, they had several minor hits before fading away from the charts and entering the oldies circuit, reprising their earlier material for 1999's new studio effort At Their Best. Bobbie Smith, who sang lead on several of the Spinners' '70s hits including «I'll Be Around» and «Could It Be I'm Falling in Love,» died from complications of pneumonia and influenza in March 2013.
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